very welcome remastered reissue of the ultra-rare 1982 cut >you cant have it from cult nyc boogie label tnt unlimited inc. mixed by the legendary tony humphries, this excellent cut is hugely dancefloor-friendly featuring a massive feisty vocal performance along with some top bongo action and a killer groove. backed with a superb dubbed-out instrumental version, this is a stone-cold killer and deserves a place in any serious boogie or funk collection. essential!

2011 was a banner year for borrowed language – both the split 12 inch from jeff pietro & israel vines (blx-2 distance no object) and jeff pietros definitive >still< 10 inch (blx-3) garnered plaudits from all corners of the globe and were charted and played by the likes of surgeon, miles whittaker (of demdike stare fame), peter van hoesen, xhin, and many others. we kick off 2012 with this astonishing 4-track ep from detroits justin ivey, and if this is anything to go by, its going to be a hell of a year… justin ivey has been making uncompromising and challenging electronic music as dj adjust (and lowsh as well as theek) since the nineties, and he is also the founder of the beloved and highly influential cult imprint low res. while low res has always released records that reside somewhere on the extreme end of the electronic music spectrum (i.e. davros and ablecain) ivey isnt a purist - in fact, he is a true enthusiast of all types of electronic music, and it certainly shows on this 4-track ep.
limited edition of 200 copies on white vinyl.

brilliant ep featuring four killer italo classics from cult new wave label italian records.

>in< is love in its purest form, >in< is a cult of beauty >in< is the red carpet that leads to what will be the debut album >slow dancing in a burning room> from basque artist el_txef_a aka aitor etxebarria for fiakun records. the single will be released as a special 10inch vinyl on the fiakun lable and is a perfect prelude to launch aitor etxebarrias lp in march. 4 minutes of slow burning sensation that only the northern spanish artist can deliver.

fantastic queen constance double a-sided special featuring two of the best tracks ever released on this cult disco label, an offshoot of nycs renowned p&p records. staying faithful to the translucent red vinyl of the 1979 original releases, this features on side a kim taylors amazing lost disco funk gem >stump your feet & dance<. produced by nyc disco legend peter brown, this track is a surefire floor filler and features all the wonderful hallmarks of a classic p&p production - funky rhythm section, phat driving bass, screaming moogy synths and that feel-good disco party atmosphere that just makes you wanna >stump your feet & dance<. on the flip is the equally awesome afro-disco stormer >licky<, another ultra-rare peter brown creation. with its rocking female vocals, hot sax solos and some wildly groovy synth action, this is a wonderful slice of afro-american fusion that rocks any discerning dancefloor. top quality release and with two top class tracks on one disc its top value for money too!

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

clone classic cuts serves another cult italo disco classic! gorgeous female vocals slapped on that lovely 80 s synthesizer/drum programming. this is one of those releases that easily makes it into the top 50 of all time greatest italo disco songs. produced by roberto ferrante (also known for his pinneaples project) and originally released on the obscure airport label in 1984. we managed to restore and re-master the original versions and the lovely paris mix. on top of the original versions we serve you a new re-rub by italian italo specialist bottin (eskimo, artifacts etc). bottin did a great job with a new crazy soundhack mix that cranks up the energy level and makes it more jackin. pretty amazing when you realize that these tracks are making people dance for 28 years now. more then enough reason for a proper re-release on high quality vinyl. enjoy!

recorded over the past three years, across the creative trinity of berlin, brooklyn and the sleepy hollow town of hamilton, near niagara falls in ontario, canada, new looks self-titled debut album is a feverishly anticipated affair. the canadian future pop duo and real life couple, sarah ruba and adam pavao have an undeniable creative synergy, combining the stunning, synth-playing chanteuse and former model, 25-year-old ruba (previously shot by the likes of cult fashion provocateur bruce weber) and multi-instrumentalist, 31-year-old producer pavao. there is a confidence and wit to their songwriting, coupled with cosmic tweaks and soft synths underpinning their future pop aesthetic. its controlled yet wistful pop perfectionism.
including code for free download of this album.

after the success of their debut 12inch – the visions ep featuring james johnston, yse, tone control and basic soul unit – with support coming from the full house spectrum (including alex agore, brawther, danny tenaglia, deetron, ethyl, groove armada, red rackem and many more), its only natural city fly follow up their 1st release with a new ep to further showcase the deeper house sounds synonymous with their ethos. wanting to expand their vision yet stay true to their roots, for their 2nd release city fly are proud to present the ‘csa ep’ by creative swing alliance aka pablo valentino & steven wobblejay. not content in running faces records – featuring releases from simbad and danilo plessows motor city drum ensemble/inverse cinematics aliases – and releasing 12s under his creative swing alliance, kid swing and hipster wonkaz pseudonyms, pablo also co-runs the already iconic and buy-on-sight mcde imprint with danilo plessow and is an influential component in the label gaining notoriety and cult status with its raw cuts series – ubiquitous in many a djs set regardless of genre. steven has released records on compost records, soultronik & jazzmin under his moniker steppah huntah and played double bass for the japanese jazz band sleepwalker.

about yoav b (delsin/wasa bi) :in the last 10 years, dj yoav b has released some of the finest deep house and techno records around, some are already considered as cult classics. most of you will recognize that thick, thick bassline of his underground anthem >energize<, which was fired at you at many dancefloors around the world, or that dazzling kick drum and fm synth bass line of “organ satta” that appealed to djs from chicago to berlin.with his latest release for the most respected delsin label, entitled >love dubs<, he kept pushing the limits of dance music over the maximum, with some experimental yet funky as hell house and techno music, picked, played and charted by a large scale of djs such as martyn, marcel dettmann, charles webster, basic soul unit and more. near future projects include e.p. releases for the lables meakusma (belgium) and synchrophone (france).as a dj, yoav b. has established himself as one of israels finest underground dance music jocks. also recognized for his unique cut n paste way of mixing, you can hear in his sets nothing but deep and hot music in various styles – from deep house to techno, from disco to jackbeat, from classic to futuristic – all mixed in a furious funky, yet coherent spinning style.

connan mockasins willingness to toy with the edges of musical convention is showcased to startling effect in >faking jazz together<, its typically opaque title belying a gorgeous, leisurely amble through an enchanted forest of lush psychedelia, complete with dreamy guitar licks, liquefied salsa rhythms and mockasins trademark alien vocals, sounding like a transmission from another cosmos, ghostly yet strangely affecting all at once. tom furse from the horrors, meanwhile, extrapolates the beats from the original and relocates them in a wide-eyed, sprawling dub epic akin to screamadelica-era primal scream, and renowned german producer (and kompakt lynchpin) michael mayer builds a propulsive, tropical-flavoured anthem around mockasins unusual vocals, with delightfully unpredictable results. even better, you can see connan mockasin in glorious live action this autumn, when he and his band embark on their own headline tour of the uk, playing dates across the country at the end of september. having already toured with warpaint in the summer, as well as scoring the first short film from acclaimed video director kinga burza, and collaborating with the idiosyncratic likes of charlotte gainsbourg and sam eastgate of late of the pier, it is certain that the eccentric pleasures of connan mockasin arent going to stay a cult secret for too much longer.
comes on transparent yellow vinyl.

dresdens cult label uncanny valley returns with the charming catalogue number six. following up jacob korns first artist ep for the label its c-beams turn now to continue the series of artist eps. break sls and sandrow ms project can be referred to as a true labels child. musically, both artists got to know each other only when the label was founded. for >strollin< they lend the vocal talents by tina slotta who is associated with uncanny valley as well. the result is an irresistible house-jam. easy vibrant beats are complemented by birds twittering, warm keys and tinas carefree lyrics. jackmates remix toughen things up and transfers the tracks with mighty detroit-chords into a real monster for the dancefloor. the slightly murkier >scrapyard< takes its strength out of the interaction between its vehement beats and the c-beams-typical sound excursions. finally, the instrumental of >strollin< rounds up the ep.

presenting the >cant buy love ep<, wolf + lamb records invite you to enter the visceral world of aquarius heaven. a rhapsody of sonic flow both rough and smooth with heavy doses of sleaze and deviant, lust-filled rap, the aquarius heaven experience is nothing short of electrifying. when brian brewster met dop in paris, 2005, the former reggae, dancehall and hip- hop singer was to undergo an electronic rebirth. during the hours of studio lock-up that followed, tapping into a wealth of musical influences, the arresting sound of aquarius heaven was born. after the outstanding debut >7 days ep< on circus company caught the attention of gadi mizrahi of wolf + lamb whilst in berlin (where brewster is now based), it wasnt long before the label made aquarius part of the crew and the >cant buy love ep< was brought to light. a heady mix of sexually charged house funk, a-side >cant buy love< bumps and grinds down a bassline made of rubber with the heavy depth of brewsters vocals in the driving seat. playful and bold with singer dani sicilianos yearning interruptions, the mood is a twisted fusion of love and filth. already a staple in the sets of soul clap and wolf + lamb, >cant buy love< has all the markings of a cult record in the sex music hall of fame

bottin with his 3rd installment on the artifacts series! artifacts 1 and 2 did did becoe small cult releases that sold out everywhere. no3 is another massive disco release based on early italo disco tracks that have been produced for packed dance floors in rimini, venice and milan. bottin managed to deliver tracks that stay true to their roots and have the energy of modern club tracks. even for non italo disco fetishists these tracks are delivering the fun! limited supplies on transparent blue vinyl!

strictly limited vinyl with no re-press, silkscreened artwork by house of traps, hand-stamped labels, housed in japanese poly jackets... this fudge fingas leviathan-like ep has been simmering for some time now, and is finally available as the next installment of the cult firecracker series. ukraines vakula re-shapes it slavik style on the flip and fingas completes the package with a bass-heavy, tropical cut >mass x<. as usual, artwork and silkscreening by house of traps. strictly limited with no re-press!

the torontonian quartet, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a distinctive sound that references the best of dance musics past with a firm vision of its future. with manic , azari & iii mix slick modern production with retro vibes, and incredibly catchy vocal hooks with dark lyrics, striking a balance that has earned them critical acclaim and a cult following.
this limited turbo 12 inch includes remixes from red-hot crosstown rebels star maceo plex, the legendary house-cat dj sneak, and breakthrough spanish sensation borderline.

70s abba cult album !

don geres original motion picture soundtrack for the 1971 movie *werewolves on wheels*.
as a group of bikers moves across the desert, they come across an old church that a satanic cult has taken over. the cultists give them drugged food, and the bikers soon fall asleep.

>hollywood seven< has been a dance floor weapon of mike simonettis dj sets for almost six years. its one of those tracks people come up to the booth & ask about the most. >whats that song about omaha and the hotel?< we are happy to finally answer that question with this essential release. rescued from the depths of dollar bin obscurity. the a-side here was the closing track on mike & johnnys december 2007 cult mix >albuterol<. titled >disconet dilemma< alluding to mike scoring the disconet promo 12 inch while digging in jersey on one sunny afternoon.

eric duncan (of rub n tug fame) drops release number four in his keep it cheap series - this time inviting the ever on-point justin vandervolgen (tbd) to take care of b side duties head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers. as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

lonesome hero is the anonymous, vinyl-only project spawned from a love of technos vinyl purism by a collective of artists growing tired of technos current cult of celebrity. visit lonesomehero.net to read up on the lh philosophy

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

horror disco melds these soundtrack and aural ideas with a 100% disco album. one that drifts away from most of the soulful elements of disco and one that is dirtier, warmer and less polished than contemporary scandinavian nu-disco. the album is wide and varied - slashdance gives us a goblin-esque robo-vocoder-disco, roger bacon is pure cosmic groove, whilst the italo-disco-thriller disco for the devil features the vocals of italian-based, uk-born session master douglas meakin – who back in the day was lead vocalist in simonetti s easy going and crazy gang cult disco projects.

cult combo hiem (crosstown rebels, eskimo,..) strike back with another epic stadium dance anthem - a must have!
tim paris marketing music label is back with hiem new single >freaky nights< complete with two remixes by the label boss tim paris and french dj / producer darabi of get the curse fame.

lonesome hero is the vinyl-only project spawned from a love of technos vinyl purism by a collective of artists growing tired of technos current cult of celebrity. first in the lh catalog comes a split ep featuring techno stalwart john tejada, and scene newcomer david joseph. though never released, dan bell grabbed tejadas track as part of his tresor mix cd back in 2000, while josephs first contribution to modern house music injects some timeless quality back into dj culture. we hope you enjoy!

>i done a album< is the debut album from cult beat box/uk hip hop artist beardyman. mixing up beats and rhymes in his usual imitable style, this effort has shades of old school finesse and flavour as well possessing beardymans sense of humour and renowned beatboxing skills.

the track space man by ayisha has been produced by munich cult disco producer veit marvos. hes well known for playing organ/synths on many krautrock releases like for example the emergency albums or on 2066 andthen which he produced together with his brother and nowadays is one of the most valuable german psychedelic rock lps.

superb reissue of an amazing lost boogie gem from 1981 hailing from sweden, an unlikely hub of funk excellence in the early 80s. originally released on tiny label newlock, both sides of this 12 inch are fantastic - side as >supercool< is a tight funky workout with laidback vocals and a super-summery feel while side bs >percussion sundance< more than lives up to its cult balearic reputation, with six minutes of blissed-out soaring synths, heavy syncopated percussion and smooth bass combining to create one of the hottest things ever to come out of scandinavia. you must have this!

mad mats cult label has garnered a richly deserved reputation for releasing a formidablle catalogue of killer club music over the years, be it edits, reworks, remixes or original material.
gamm067 brings us a duo of heavyweight funk and classic soul rewires from pablo sanchez & uriel e, fitting the high standard of gamm output perfectly primed and ready for the floor. get on board!

superb cosmic and minimal synth/ coldwave german underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12inch vinyl on soul jazz by popular demand! this is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult german electronic group e.m.a.k. - none of which appear on soul jazz records recent e.m.a.k. album. e.m.a.k. were a main feature on deutsche elektronische muzik, soul jazz records recent journey through german experimental rock and electronic music. featuring alongside can, neu, tangerine dream, cluster and popul vuh, e.m.a.k. led the evolution of what was called >krautrock< in the 1970s into a more updated synthwave, digital sound in the 1980s – >tanz in der himmel< is one of the rarest and most loved cosmic synth/coldwave outings from this cult group.

roland appel is the well loved and respected producer and dj, based in southern germany. quickly recognised for his work for sonar kollektiv or compost, we are proud to announce his debut for poker flat recordings. the beautifully original and stand-out >fleurs du mal< is a classically themed masterpiece in the making. warm, phasing synth energies build before introducing cosmic choirs and bell melodies that blurs the boundaries between mysterious cult soundtrack and club bomb! the deep searchin >black leather< shows yet more techno promise with a brooding, textural synth at the centre of a full-on exploration into dark, tactile and satisfyingly underground territories. a true slow-burner, and a post tech-house killer in its own right, this detailed and accomplished cut forms the ideal futuristic backdrop to take us into 2011

cult label tronicsole is back... stunning deep house tracks, from detroit to chicago ... with hot mixes coming from kris wadsworth & milton jackson !!!

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

mad mats cult label has garnered a richly deserved reputation for releasing a formidablle catalogue of killer club music over the years, be it edits, reworks, remixes or original material.
gamm065 brings us three more heavyweight r&b & soul re-dos. marvin gaye, musiq soulchild and r kelly get the surefire gamm treatment, primed and ready for the floor. get on board!

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)

great bunker-records-shirt *cult* (100% cotton)